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Sanford Biggers

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  • Reprise: A Review of “Collage Culture” at moniquemeloche

    July 16, 2024
  • The National Academy of Design Tackles Sustainability, Identity, and Time

    Chloe Shaar, BlackBook Presents, April 26, 2024
  • The National Academy of Design’s Newest Exhibition Explores Impermanence

    Amelia Nash, Print, April 23, 2024
  • Sanford Biggers: "Back to the Stars"

    Rebecca Memoli, New Art Examiner, January 8, 2024
  • Sanford Biggers: Back to the Stars

    CGN, October 24, 2023
  • Newark Museum of Art installs African-themed sculptures at entrance

    Steve Strunsky, NJ.com, October 20, 2023
  • Photo Credit: Gioncarlo Valentine

    Artist Sanford Biggers Provides Social and Historical Awareness With 'Back To The Stars'

    Okla Jones, Essence Magazine, October 20, 2023
  • Bon Voyage: A Review of Sanford Biggers at moniquemeloche

    Ally Fouts, Newcity Art, October 19, 2023
  • Image Courtesy of Christopher Garcia Valle

    Sanford Biggers Remixes Centuries of Art History in a Slew of New Solo Shows This Fall

    Tessa Solomon, ARTnews, September 28, 2023
  • Photo by Meghan Marin

    In a New Exhibition, Sanford Biggers Lives With “The Ruins of History”

    Maxine Wally, W Magazine, September 13, 2023
  • Sanford Biggers to Present New Artworks from His Ever-Evolving Chimera and Codex Series

  • This Week in Culture: September 11-17

    Cultured, September 11, 2023
  • 13 Textile Artists Pushing the Medium Forward

    Lark Breen, SixtySix, July 21, 2023
  • Hank Willis Thomas, Rashid Johnson, Mary Heilmann, Sanford Biggers, and More on the Artistic Heart of the Hamptons

    Cultured Magazine, Cultured, June 21, 2023
  • Anatomy of a Disputed Emancipated Monument

    Debra Brehmer, Hyperallergic, May 24, 2023
  • Lifting the Veil sculpture is revealed

  • An Exhibition Proposes Alternatives to Removing Contentious Statues

    Siddhartha Mitter, The New York Times, April 26, 2023
  • L.A's Hammer Museum Reopens with 40,000 Square Feet of New Gallery Space

    Evan Nicole Brown, The Hollywood Reporter, March 19, 2023
  • Sanford Biggers Leads Re:mancipation Project At CHazen Art Museum In Madison, Wisconsin

    Chadd Scott, Forbes, February 22, 2023
  • 'We Are Still Standing': 're:mancipation' and its reclamation of the Black American voice

    Kai Wen Li, The Daily Cardinal , February 9, 2023
  • UW-Madison exhibit has 'something new to say' about race and art

    Gayle Worland, Wisconsin State Journal, February 4, 2023
  • Q&A: Artist Sanford Biggers on conjuring a deity and that time he met Prince

    Carolina A. Miranda, Los Angeles Times, October 14, 2022
  • Tribute and Collaboration: A Review of moniquemeloche presents at Lubeznik Center for the Arts

    Alison Cuddy, New City Art, October 14, 2022
  • Sanford Biggers unveils monolithic sculpture at Rockefeller Plaza

    GABRIELLA ANGELETI, The Art Newspaper, May 7, 2021
  • Sanford Biggers, Oracle (2021) at Rockefeller Center. Photo by Daniel Greer, courtesy of Art Production Fund.

    Artist Sanford Biggers Explains How Our Misunderstandings of Classical Sculpture Inspired His Rockefeller Center Takeove

    Sarah Cascone, Artnet News , May 7, 2021
  • The 10 Best Booths at EXPO Chicago’s Online Edition

    Justin Kamp, Artsy, April 9, 2021
  • Portrait of Sanford Biggers God Whistle, 2020

    Sanford Biggers with Yasi Alipour

    Yasi Alipour, Brooklyn Rail , March 10, 2021
  • Survey Exhibition, Sanford Biggers: Codeswitch

    The Bronx Museum of the Arts, September 9, 2020
  • Sanford Biggers, Hat and Beard (2016)

    23 Top Collectors, Artists, and Dealers Tell Us About the Artwork That Is Keeping Them Inspired at Home

    Artnet News, Artnet , May 27, 2020
  • Sanford Biggers, Zoe Leonard, and Dozens of Other Artists Are Among the Winners of the Prestigious 2020 Guggenheim Fello

    Caroline Goldstein, Artnet , April 9, 2020
  • Group Show, In Plain Sight

    Henry Art Gallery, Seattle, November 23, 2019
  • At Tufts, Sanford Biggers takes aim at violence against African-Americans

    Murray Whyte, Boston Globe , November 7, 2019
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