Rashid Johnson’s Self-Portrait as the black Jimmy Connors in the finals of the New Negro Escapist Social and Athletic Club Summer Tennis Tournament was created for the artist’s 2008 solo exhibition at moniquemeloche. The New Negro Escapist Social and Athletic Club is a fictional African American secret society, a parallel universe which embodies Johnson’s desire to upend the conventions of history and the idea of a legacy. Inspired by the construction and performance of identity, Amy Sherald paints portraits of strangers whose characteristics immediately resonate with her. Similarly influenced by the performance of identity, Rashayla Marie Brown works to reveal the projection of cultural myths and desires on the collective consciousness, often using her body as a source and subject. Hassan Hajjaj’s lively and optically stimulating portraits of young women that represent Marrakesh’s biker culture borrows from the rich history of studio photographers, such as Malick Sidibé, while challenging prevailing ideas of female subjectivity.
Sourcing her subjects from social media websites, Ebony G. Patterson uses the portrait to create an awareness of violence and loss. Seductive embellishments on the surface of her works on paper belie the depth of Patterson’s plight: to make visible that which is invisible. Formally referencing the sometimes loaded and fetishizing figurative works of Gauguin, William Villalongo creates bucolic imaginary landscapes that wrestle with the often fraught history of painting; complicating the narrative of modernism through the insertion of alternative art histories. Aggregating language and symbols sourced from the internet, popular music, and everywhere in between, Nina Chanel Abney’s paintings capture the tension of the digital age. For her on the wall installation at moniquemeloche, Abney will work in situ, accumulating imagery that is Chicago-centric to create a 25 foot mural that is inspired by a site specific collage she created for the Made By Brazilians exhibition in Sao Paolo in 2014. On the wall is generously supported in part by a grant from the Wicker Park Bucktown SSA #33.
Nina Chanel Abney (American b. 1982, Chicago, lives New Jersey) received her MFA from Parsons School of Design (2007) and her BFA from Augustana College (2004). Upcoming projects include a solo exhibition at the Nasher Museum of Art at Duke University in 2017. Recent exhibitions include AfterModernism, Nassau County Museum, New York (2013); The Bearden Project, Studio Museum in Harlem, NY (2012); Extended Family: Contemporary Connections, Brooklyn Museum (2009); 30 Americans, Rubell Family Collection, Miami (2008), which traveled to the Corcoran Gallery of Art, Washington D.C (2011), Milwaukee Art Museum (2012), Contemporary Art Center, New Orleans (2014), amongst other places, that is currently on view at the Arkansas Art Center, Little Rock (through June 21), and will complete at the Detroit Institute of Arts (2015-2016). The Huffington Post named Abney one of the “30 Contemporary Art Makers Under 40 You Should Know” in 2013, and her work has been published in The New York Times, Artforum, Studio: The Studio Museum in Harlem Magazine, The Miami Herald, ELLE Magazine, Paper Magazine, amongst others. Her paintings are in the prestigious collections of the Brooklyn Museum, Bronx Museum of the Arts, Corcoran Gallery of Art, and The Rubell Family Collection.
Rashayla Marie Brown (American b. 1982 Toledo, lives Chicago) is a current MA Candidate in Modern and Contemporary Art History at the School of the Art Institute of Chicago, where she also serves as the Director of Student Affairs for Diversity and Inclusion, fostering queer Afrofeminist narratives across institutions. Brown holds a BA in Sociology and African-American Studies from Yale University (2004), where she was advised by Paul Gilroy, and a BFA from the School of the Art Institute of Chicago (2013), where she was advised by Barbara DeGenevieve. Recent group and solo exhibitions include Vagabunda, Chicago Artist Coalition (2014); META_MORPH_ISIS, Black Paper, Los Angeles, CA (2014); FreeMason: Pick Up the Pieces, Gallery X, School of the Art Institute of Chicago (2013); Politics of Seeing, Sullivan Galleries, Chicago (2013). Her writing and artwork has been published and discussed in Nka: Journal of Contemporary African Art, the Radical Presence exhibition catalog, ARC Magazine, Black European Studies Archive, Sixty Inches From Center, NewCity, FNewsmagazine, and Bad at Sports, amongst others. Her work is in notable public collections, including Nippon Steel, Yale University, and the African American Chamber of Commerce. Awards include the Anna Louise Raymond Fellowship (2013), Excellence in Leadership Award, School of the Art Institute of Chicago (2012), the Propeller Fund (2013), and the Yale Mellon Research Grant (2003).
Hassan Hajjaj (Moroccan b. 1961, Larache, Morocco, lives London and Morocco) has established an international following for his photography. Awards include the Sovereign Art Foundation Middle East and African Art Prize (2011) and the shortlist for the Jameel Prize, Victoria & Albert Museum (2009), which toured to Riyadh, Damascus, Beirut, Casablanca, Istanbul and Tehran. Recent solo and group exhibitions include My Rock Stars, Newark Museum (2015); My Rock Stars Experimental, Volume 1, Wexner Center for the Arts, Ohio State University (2015) and Los Angeles County Museum of Art, (2013-2014); Islamic Art Now: Contemporary Art of the Middle East, Los Angeles County Museum of Art (2015); Making Africa, Guggenheim Bilbao, Spain (2015); Light from the Middle East, Victoria & Albert Museum, London (2012). Hajjaj’s work has been published in numerous publications, including The New York Times, National Geographic, The Guardian, The Wall Street Journal, Modern Painters, The Huffington Post, W Magazine, Harper’s Bazaar Art, Vogue, and Nafas Art Magazine. His work is featured in several prestigious public and private collections worldwide, including the Brooklyn Museum, the British Museum, Nasher Museum of Art, Newark Museum, Los Angeles Museum of Contemporary Art, the Victoria & Albert Museum, Farjam Collection, Institut des Cultures d’Islam, Kamel Lazaar Foundation, and the Virginia Museum of Fine Art.
Rashid Johnson (American b. 1977 Chicago, lives New York) first came to prominence in 2001 when Thelma Golden included him as the youngest artist in the seminal Freestyle exhibition at the Studio Museum in Harlem. His work was included in the 54th Venice Biennale in 2011 and the Shanghai Biennial in 2012. Johnson is the 2012 Driskell Prize Winner and one of the six Hugo Boss Prize Finalists from the same year. Johnson’s High Line Commission, Blocks, will open in May 2015, alongside his inclusion in America is Hard to See, the inaugural exhibition at the Whitney Museum’s new location. Recent solo exhibitions include The George Economou Collection, Athens, Greece (2014); Ballroom Marfa, TX (2013); High Museum Atlanta (2013), Miami Art Museum (2012); MCA Chicago (2012); South London Gallery (2012); Sculpture Center, NY (2009); Kunstmuseum Magdeburg, Germany (2008); Indianapolis Museum of Contemporary Art (2005). Recent group exhibitions include Forever Now, MoMA (2014-15), and Variations: Conversations In and Around Abstract Painting, LACMA (2014). His performance work “The Dutchman” was showcased at Performa 13, and was presented again during EXPO Chicago 2014. He received his BA from Columbia College in Chicago (2000) and attended the School of the Art Institute of Chicago (2003-04).
Ebony G. Patterson (Jamaican, b. 1981 Kingston, lives Kingston and Lexington, KY) is the recipient of many prestigious fellowships, awards and grants, including the Aaron Matalon Award from the Jamaica Biennial (2014), William H. Johnson Prize finalist (2013), a Musgrave Medal from the Institute of Jamaica (2012), Small Axe Magazine and Andy Warhol Commissioned Grant (2012), and Rex Nettleford Fellowship in Cultural Studies (2011). Her work was recently featured at Prospect.3: Notes for Now, curated by Franklin Sirmans, New Orleans, LA and the Jamaica Biennial 2014, National Gallery of Jamaica, Kingston. Current solo shows include Dead Treez at the Kohler Arts Center, Sheboygan, WI (through Sept 2015) and LUX Art Institute, Encinitas, CA (April-May 2015), and a solo show at moniquemeloche, Chicago (Sept 2015). Current and upcoming group exhibitions include En Mas’: Carnival 21st Century Style, The Caribbean as Site Specific Performance, Contemporary Arts Center, New Orleans, LA (2015); 12th Havana Biennial, Cuba (May-June 2015); Disguise: Masks and Global African Art, Seattle Art Museum, Seattle, WA (June-Sept 2015). Her work has been published in The New York Times, The Financial Times, Forbes Magazine, Frieze Magazine, Vogue Italia, The Huffington Post, Artnet, Blouin Artinfo, ARC Magazine, Chicago Magazine, The Jamaica Observer, The Miami Herald, and Art Voices Magazine, amongst others. Patterson is Associate Professor in Painting and Mixed Media at the University of Kentucky in Lexington and is currently on sabbatical and was awarded a faculty research grant for 2015.
Amy Sherald (American b. Columbus, GA 1973, lives Baltimore) received her MFA in Painting from the Maryland Institute College of Art (2004), BA in Painting from Clark-Atlanta University (1997), and was a Spelman College International Artist-in-Residence in Portobelo, Panama (1997). Sherald is a recipient of the Joan Mitchell Foundation Painting and Sculpture Grant (2014), a Pollock-Krasner Foundation Grant (2013), and was the Juror’s Pick for New American Paintings Issue 88 (2010). Recent solo exhibitions include the Reginald F. Lewis Museum, Baltimore, MD (2013), Richard Demato Fine Arts, Sag Harbor, NY (2011), and the University of North Carolina, Sonja Haynes Stone Center, Chapel Hill, NC (2011). Her work has been published in Transitions: International Review, The International Review of African American Art, New American Paintings, Hycide Magazine, Studio: Studio Museum in Harlem Magazine, and the New York Times. Residencies include Tong Xion Art Center, Beijing, China (2008) and Odd Nerdrum Private Study, Larvik, Norway (2005). Her work is in notable public collections, including the National Museum of Women in the Arts, the Smithsonian Museum of African American Art and Culture, and the United States Embassy, Dakar, Senegal.
William Villalongo (American b. 1975, Hollywood, FL, lives Brooklyn) received an MFA from Tyler School of Art at Temple University (2001) and BFA from Cooper Union (1999). Villalongo is the recipient of the NYFA Artist’s Fellowship (2012), the Joan Mitchell Foundation Painters & Sculptor’s Grant (2006), and the prestigious Louis Comfort Tiffany Award (2005). Upcoming group exhibitions include Disguise: Masks and Global African Art, Seattle Art Museum (2015), and The Image of the Artists in their Absence: The Self Portrait, National Academy Museum & School, New York (2015). Recent solo and group exhibitions include New Mythologies, The Harvey B. Gantt Center for African-American Arts and Culture, Charlotte, NC (2013); Fierce at Real Art Ways, Hartford, CT (2013); The Shadows Took Shape, Studio Museum in Harlem (2013); Inside Out and from the Ground Up, Museum of Contemporary Art, Cleveland (2012), The Bearden Project, Studio Museum in Harlem (2011). His work is included in several notable collections including the Studio Museum in Harlem, The Whitney Museum of American Art, and Princeton University Art Museum. His work has been published in Artforum, Art in America, The New Yorker, The New York Times, Huffington Post, The Village Voice and The Brooklyn Rail.
Grace Deveney is the Marjorie Susman Fellow at the Museum of Contemporary Art Chicago. While at the MCA she curated Out of Office (2015) and Chicago Works: Ania Jaworska (2015). Previously, she served as a curatorial researcher for the Milwaukee Art Museum, and the Art Institute of Chicago. She was a contributing author to Color Rush: American Color Photography from Stieglitz to Sherman (Aperture, 2013) and a contributing researcher for Kandinsky: A Retrospective (Yale University Press, 2014). She holds a B.A. in Art History from Amherst College, and is currently completing her Ph.D. in Art History at Northwestern University.