101.6 x 88.9 cm
In As if this intersection between science and art’s mimetic drives is once again foregrounded. Each work is actually a moiré of one form or another, whether manifesting as a sculpture or photographic work. Most immediately associated with textiles, a moiré is also a scientific phenomenon: an interference created when two grids are superimposed at an angle or where their mesh sizes differ. The nature of the moiré phenomenon connects textile traditions with the photographic and reprographic process and naturally lies within Arocha – Schraenen’s explorations of how images are constructed. In this particular case, their interest examines how moirés manifest in static objects transmute into a perception of movement. Yet, the works also conversely evoke a sense of scientifically explained moirés that occur when an image-making device – for example a television camera- attempts to transmit an image of certain patterned static objects due to the sampling limitations of the medium itself. Just as an image may prove illusory, these works remind us more specifically that one way in which an image might prove to be different from its perception is in terms of movement. Exactly what is moving and what is still within each situation?
– Text excerpted from essay by Ken Pratt
