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Sanford Biggers

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Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022
Open a larger version of the following image in a popup: Sanford Biggers, Apollo, 2022

Sanford Biggers

Apollo, 2022
white marble
18 x 17 3/4 x 10 3/4 in
45.7 x 45.2 x 27.3 cm
Edition of 3
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Further images

  • (View a larger image of thumbnail 1 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 2 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 3 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 4 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 5 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 6 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 7 ) Sanford Biggers, Cumulous (large), 2013
  • (View a larger image of thumbnail 8 ) Sanford Biggers, Cumulous (large), 2013
  • Apollo
Essentially, information on the European sculptures is more accessible, identifiable with a bounty of academic research and study. For this particular form, it is a Roman statue of the god,...
Read more
Essentially, information on the European sculptures is more accessible, identifiable with a bounty of academic research and study. For this particular form, it is a Roman statue of the god, Apollo. However, information on the African sculptures is less researched and the origins could be dubious, with little to no academic support, which ultimately feeds into the conceptual framework of the series. We are working on a statement that will properly outline this concept while also providing more insight into this work. It is important to note that Sanford is interested in archetypes when selecting the forms.
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