One wonders if Yeats, in 1919, knew that “The Second Coming” would form a linguistic framework upon which countless works of art and literature would be constructed, each attempting to parse through the horrors of the century to come.
One wonders if Yeats, in 1919, knew that “The Second Coming” would form a linguistic framework upon which countless works of art and literature would be constructed, each attempting to parse through the horrors of the century to come.
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