The group show 'In Abstracto, In Concreto: On Memory and Presence' centres on a poignant proposition: that the fragmented, abstracted human form is not merely a formal preference but a necessary means to reflect the artist's subjective experience of historical memory. It is in figurative abstraction that the four artists gathered here - Adeniyi-Jones, Luke Agada, Ludovic Nkoth and Naïla Opiangah - find a visual language to relay the psychological weight of their continuously negotiated existence as African diasporic artists.
