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David Antonio Cruz

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Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022
Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022
Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022
Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022
Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022
Open a larger version of the following image in a popup: David Antonio Cruz, ilovedeveryoneofthem, 2022

David Antonio Cruz

ilovedeveryoneofthem, 2022
oil, acrylic, and ink on wood panel
72 x 60 in
182.9 x 152.4 cm

Further images

  • (View a larger image of thumbnail 1 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
  • (View a larger image of thumbnail 2 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
  • (View a larger image of thumbnail 3 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
  • (View a larger image of thumbnail 4 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
  • (View a larger image of thumbnail 5 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
  • (View a larger image of thumbnail 6 ) David Antonio Cruz, Green,howiwantyougreen, 2015-2022
ilovedeveryoneofthem, portrait of David and David, is part of the chosenfamily series exploring the nonbiological bonds between gay people, expanding on the idea of family as structures that build hope...
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ilovedeveryoneofthem, portrait of David and David, is part of the chosenfamily series exploring the nonbiological bonds between gay people, expanding on the idea of family as structures that build hope and resilience, chosen out of mutual love and support. The intergenerational portraits speak of queer perspective and agency. Drawing from John Singer Sargent's high society portraits and Francis Bacon's paintings in warped environments, the sitters for this series are invited to pose in opposition to social norms as a form of resistance, play, and queering the act of posing. The subjects are reinterpreting and playing with classical poses, nestled intimately on a couch. The morphed couch is womb-like and shell-like, wrapped around their entire bodies. There is no top or bottom but a continuous circular motion. The men are posed holding each other, drawing on images of young children holding each other, creating a space of warmth, support, and love. Playing with cultural identifiers, the men are dressed in flower print shirts, Cafe Bustelo tee, and a baseball jersey.
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Exhibitions

when the children come home, ICA Philadelphia, Philadelphia, PA; August 18—December 17, 2023
The Armory Show
, Javits Center, New York, NY. September 9-11 2022
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