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Antonius-Tín Bui

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Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
Open a larger version of the following image in a popup: Antonius-Tín Bui, I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022

Antonius-Tín Bui

I am in no hurry to stop believing we are supposed to sway like this, that we too are immense and calling out (Brandon Lee)., 2022
hand cut paper, ink, and paint
81 x 42 in (artwork)
205.7 x 106.7 cm
Inquire
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Further images

  • (View a larger image of thumbnail 1 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 2 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 3 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 4 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 5 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 6 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 7 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 8 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 9 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 10 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 11 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 12 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 13 ) Antonius-Tín Bui, Vanguard, 2018
  • (View a larger image of thumbnail 14 ) Antonius-Tín Bui, Vanguard, 2018
A portrait of Brandon Lee, one of the first queer Asian porn stars in America. An essay exploring the entanglements behind his work and worth: http://www.sfu.ca/~baw2/GSWS826/Nguyen.pdf “I look at the...
Read more

A portrait of Brandon Lee, one of the first queer Asian porn stars in America.

An essay exploring the entanglements behind his work and worth: http://www.sfu.ca/~baw2/GSWS826/Nguyen.pdf

“I look at the ways in which the privileging of topness and

remasculinization in the work of Brandon Lee serve to reinforce normative

discourses of race, class, gender, nation, and sexuality. The chapter’s inves-

tigation of contemporary gay male video porn shows how those modalities

of difference get articulated through top-bottom sexual positionings. At the

same time that I unpack Lee’s claim to fame as an Asian top, I also point to

the instabilities of his top status by highlighting significant moments in his

videos when topness topples as well as instances when bottomhood exceeds

its coding as Asian abjection. In addition, I suggest that Lee’s emergence

marks out a space for a queer, resistant Asian American porn spectator-

ship that enlarges previous models of porn viewing. “


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Exhibitions

Various Small Fires, Dallas, TX, February 29-March 3, 2024
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