
The Girls of Summer
Koichi Enomoto, Ruby Osorio, John Sparagana
July 8 - July 30, 2005
opening Friday, June 8, 6-9pm
Girls of Summer is a group show focused on the
image of “girls” from the quintessential bikini-clad adolescent/model,
dreamy nymphs, to butterfly-winged Harajuku girls. Featuring the work
of the young Japanese artist Koichi Enomoto recently
seen at LISTE 05 in Basel with Hiromi Yoshii Gallery Tokyo; the
LA based self-taught Ruby Osorio currently having her
first solo museum show at the Contemporary Art Museum St. Louis; and Chicago's
own master magazine manipulator John Sparagana fresh
off his recent solo show at Mixture Gallery in Houston.
Koichi Enomoto (b. 1977 Osaka Japan, lives Tokyo)
“It is that ‘wave-like’ feeling within my body I have
sought to express. Trees already seem to embody their own life-energy
waves in their form (physique). The butterfly-girls in my pictures are
mirror entities upon which those waves are projected. Provocative, bold
and even cruel at times, their encounters and conflicts with trees, flowers,
and ordinary girls gives birth to a story.” Enomoto created all
new work for “Girls of Summer” including his intricately delicate
watercolor and pen drawings and some wildly sinister
yet sexy paintings.
Koichi Enomoto graduated from Japan’s Kanazawa
College of Art in 2002 and made his debut exhibition at Hiromi Yoshii
Gallery Tokyo in 2004 at the group exhibition “After the Reality”
curated by Kentaro Ichihara. A solo show at Yoshii soon followed and his
work has since been in group exhibitions in New York, Paris, and Turin.
Enomoto’s Chicago debut was at the Stray Show 2004 and his work
was just featured in Yoshii's booth at LISTE 05: The Young Art Fair
in Basel. Upcoming will be a 2 person exhibition at Deitch Projects
NY.
Ruby Osorio (lives Los Angeles)
“Several years into teaching elementary school, Ruby Osorio found
this rather pragmatic chapter in her life so illuminating that she spontaneously
began drawing adolescent girls, enabling her to process the complex dramas
awaiting her innocent students”
- Excerpt from CAM catalogue essay by Sue Spaid
Ruby Osorio’s inclusion in Girls of Summer overlaps with
her first solo museum exhibition Story of a Girl (Who Awakes Far,
Far and Away) continuing through July 17 at the Contemporary Art
Museum St. Louis. CAM curator Shannon Fitzgerald describes the
exhibition as “an enchanting magical environment based on her unique
drawings and works on paper. This series of gouache paintings incorporates
thread and ink and presents this young artist’s exploration into
female identity and more tellingly, the construction of that identity
through what is becoming a hallmark of her hand--whimsy with a punch.
In this new series of painterly drawings Osorio pushes the range of her
work in scale, medium, and content; thus transforming the gallery into
a delicate room that presents a "feminine aesthetic" through
the use of cartoon-like drawings of women, girls, animals, objects, and
natural landscapes (some directly on the wall) that grow from tiny thumbnail
sketches to large mural-sized narratives.” New works on paper will
be included in this show.
Ruby Osorio received her B.A. in Sociology and Chicano Studies from the
University of California, Los Angeles in 1997.
John Sparagana (b. 1958 New York, lives
Chicago)
Girls of Summer will feature new work from the series "Sleeping
Beauty" (2004-05) made from distressing, through excessive handling,
single and double-spread magazine pages. The images, almost entirely from
fashion magazines, have extremely high production value, arriving as a
pristine, glowing object in the mail or on the news stand, yet meant to
disappear in a month or two, to become trash and disappear from consciousness.
By nearly destroying the pages, though quite beautiful in their distressed
state, they become singular, iconic, elegiac image-objects attaining a
paradoxical value. They refer in metaphorical terms to the culture that
produced them, but take the original narrative for a ride. The work achieves
a curious condition; photo based, two dimensional, image driven, and never-the-less
becomes by definition a found object.
John Sparagana received his M.F.A. from Stanford University in 1987, and
has been on the faculty at Rice University since 1989.
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Koichi Enomoto
Untitled, 2005
Watercolor and pen on paper
18 x 15 in
Untitled, 2004
from the Sleeping Beauty series
hand-fatiqued magazine page

detail from Falling Out of Grace, 2004
gouache, ink and thread on paper
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